So, I had an assignment in painting not too long ago that had to fit into at least one criteria ("beautiful", "insults the viewer", "barely visible", "monster machine", "fearful/fearsome", and a couple of other things that I forget now) and during the critique we had to guess what the painter had in mind when they were working on it. At this point I was already getting pretty frustrated with this course since my style is much more illustrative and literal (*snarl*) than what "real painters" would like (*doublesnarl* elitists). Being the ever-patient person I am, I bitterly decided to do what I wanted to paint for the assignment so if the prof. and class didn't like it, forget them. would at least have a painting I wanted. As it turns out, the prof. LOVED it and raved for 20 minutes about both pieces!! He then continued to reference the larger picture for the rest of the crit session!! :D FTW!! Needless to say, I'm pretty pleased with myself.
For this one, which is about 10" x 17.5", I wanted to do a Mucha-esque advertisement poster for mechanical limbs and organs. I'm really pleased with how it came out and I thought I handled the nudity tastefully. Our next assignment has to be a series and I decided to base my series off of this. I'll explain more about that in tomorrow's post.
For the next one I need to explain something: I only recently started swearing (Sorry, Mom, but I do) because it was really difficult to be taken seriously as an adult when I called people "dumbface" and "butthead" when I was mad. That being said, I chose to use a swear in this piece because of the assignment and because of the verbal punch it could pack. I needed this piece to be as "in your face" as possible.
This piece is HUGE! It is 30" x 42" and her head is about life-size. When you're standing in front of it, I'm proud to say, it does in fact look like the fist is coming at you. I painted this quickly and furiously, which was a nice change from the Prothese painting. The biggest thing about this that the prof said I should change was having the speech bubble recede into the space, like her body is. I almost had my series as this but I didn't think a series of these would pack the same punch as a single one (maybe different paintings like this in different locations, but not all together in the same room).
I think my personality comes across strongly in different ways in these two paintings (which I guess is why "Dumbass" unintentionally looks like a self-portrait). I hope these go over well out there.