Showing posts with label body modification. Show all posts
Showing posts with label body modification. Show all posts

Wednesday, January 18, 2012

Prothese Redone

I've officially finished my digital redo of "Prothese"! This will be the first of a series of digital paintings exploring Body Modifications (real and potential) in an Art Nouveau aesthetic. Many of these paintings will be recreations of previous acrylic paintings (which you can see by clicking the body modification tag below).
This painting took about two weeks to paint digitally on Paint Tool Sai and all of the textures used are my own. The sweet briar used in the frame has traditionally meant "a wound to heal". The mill city skyline is inspired in part by Lowell, MA. If you're interested in buying a print, please go to my RedBubble store.

 The idea behind this series is to use the widely loved aesthetics of the Art Nouveau movement, specifically the work of Alphonse Mucha, to express the intriguing yet controversial theme of Body Modification. As some of the later pictures will explore, some modifications are to give a person the same physical capabilities as those around them whereas others are intended to heighten inherent physical abilities. And of course, some modifications are purely aesthetic.

Tuesday, January 10, 2012

Body Mod Redo 2

So this is the latest WIP for a little while. I'll be tweaking the contrast and saturation levels once it's done but it's about half done at this point.

Friday, January 6, 2012

Body Mod Redo

I'm planning on redoing a lot of the body modification series, starting with Prothese. Here's what I've got so far:
I'm not completely pleased with the mechanics of the leg yet but I am liking the rest a bit more. 

Wednesday, October 27, 2010

Lazy day

So, today has kinda been more about getting my series going again. For Adv. Painting we have to do something in a large format (no dimensions to speak of, just "large") so I'm looking into working directly on a dress form. We'll see. Here's are some sketches for new paintings. I picked up some new canvases today so I'll have plenty to work with.I visited an old steam-engine ferry this weekend and got to look at the inner workings, which was awesome, so I doodled a crank shaft on there. I also want to do something with a corset ("'A Girdle to set you free!' What does that mean!?" - Mona Lisa Smile) and internal organs. The ear one is to juxtapose the cochlear implant and the arms are an example of prostheses as added convenience. I also have some pieces in the works that combine actual body modifications that are purely aesthetic (read: corset piercings :D) which will eventually lead to steampunk mods that are purely aesthetic.

Tuesday, October 26, 2010

Two-fer Tuesday

As promised, I'm posting the pieces that were on display but hadn't been posted yet. I think I'm going to go back in on both of these and do some lettering but maybe not. I apologize in advance on how awful the photography is. These look a lot better in real life.The first one is one I posted the WIP of a few weeks back. The actual size is 18"x36", the largest of the series so far (but not the largest planned one. You'll see...)
Yup. Steampunk mermaid. I really wanted to do something way out there. I mean, if you were a legless marine biologist, wouldn't you want fins and gills? I tried to make it as practical as possible, though, since she would need to maintain neutral bouyancy (which means the tail would need to be weighted but also allow space for air to be reintroduced) and would need gauges (on her wrists) so she could keep an eye on her depth. This piece is 18"x~25".

Thursday, September 30, 2010

heart of hearts

This is going to be a slightly more personal post so if you don't want to deal with that, then keep on scrollin'.

I'm the happiest I've been in years. I'm not exactly sure how it happened or when exactly it clicked but I finally got it. I was making my life (and the lives of those around me) so much harder than it needed to be. Life, and by extension: art, is not supposed to be a back-breaking, epically sober ordeal. If the point isn't to have fun and make the best of all of it, then what good is it? I get to spend every day drawing or painting or hanging out with a group of close friends who care about me. (Legit! They even find it entertaining when I'm being a complete pain!) Even physically, I feel good (healthier food and exercise is pretty nifty)! Heck, I'm not even all that scared of 2012 anymore. I'm really happy. This is not to say that I don't still have down days or "no hug" days but when I take a second to stop and analyze why I'm upset, I honestly know that it is just a passing thing and I'll be fine. Life is good.

And on that note, back to pretty pictures:
(it's safe to read again, scrollers)
This is piece number 4 of the Body Modification series. I kinda messed up 3 and stretched out the back but I was kinda bored of it anyway so this might just end up being 3:I left the easel in there to give a sense of the size without having to get out my ruler (it's late, I'm lazy. Shush.) This is based off of a very real bionic heart which is far from miraculous but still pretty amazing. I still have a lot more lineart to do but since this piece is more about the Art Nouveau aspect of the series, I want to put a lot of energy into the frames. I'll have some more work to post later this week since I'm headed downtown tomorrow to get some scans done on the big flatbed and I have a commission from someone on deviantart that I should probably get done.

Tuesday, September 28, 2010

Cochlear Implant finished

As promised, I'll explain my Body Modification series today. I started with the Prothese painting as a parody advertisement for Art Nouveau mechanical limbs. To push the idea further, I'm working with body modifications that are both real and imagined. I may extend the idea into art deco style posters but I've been having a lot of fun working with Art Nouveau so I think I'm going to continue this series in this way for a while longer. This is the second in the Body Modification series. For this one, I wanted to juxtapose a cochlear implant with other forms of body modification, such as gauges, tattoos, unnatural haircolor, and assorted piercings. Mucha worked a lot with circular motives so I worked on a circular canvas (made from an 18" repurposed embroidery hoop) and threw some steampunky gears in for the background. Her hair is also very indicative of the Art Nouveau aesthetic.
I didn't want to scream it at the viewer but I want to see what people think of having a controversial "bionic ear" (seriously, google "cochlear implant", they're wicked cool and very real) with socially questionable alterations to one's body. Please let me know what you think.

Monday, September 27, 2010

Double post, ftw!

So, I had an assignment in painting not too long ago that had to fit into at least one criteria ("beautiful", "insults the viewer", "barely visible", "monster machine", "fearful/fearsome", and a couple of other things that I forget now) and during the critique we had to guess what the painter had in mind when they were working on it. At this point I was already getting pretty frustrated with this course since my style is much more illustrative and literal (*snarl*) than what "real painters" would like (*doublesnarl* elitists). Being the ever-patient person I am, I bitterly decided to do what I wanted to paint for the assignment so if the prof. and class didn't like it, forget them. would at least have a painting I wanted. As it turns out, the prof. LOVED it and raved for 20 minutes about both pieces!! He then continued to reference the larger picture for the rest of the crit session!! :D FTW!! Needless to say, I'm pretty pleased with myself.
For this one, which is about 10" x 17.5", I wanted to do a Mucha-esque advertisement poster for mechanical limbs and organs. I'm really pleased with how it came out and I thought I handled the nudity tastefully. Our next assignment has to be a series and I decided to base my series off of this. I'll explain more about that in tomorrow's post.
For the next one I need to explain something: I only recently started swearing (Sorry, Mom, but I do) because it was really difficult to be taken seriously as an adult when I called people "dumbface" and "butthead" when I was mad. That being said, I chose to use a swear in this piece because of the assignment and because of the verbal punch it could pack. I needed this piece to be as "in your face" as possible.
This piece is HUGE! It is 30" x 42" and her head is about life-size. When you're standing in front of it, I'm proud to say, it does in fact look like the fist is coming at you. I painted this quickly and furiously, which was a nice change from the Prothese painting. The biggest thing about this that the prof said I should change was having the speech bubble recede into the space, like her body is. I almost had my series as this but I didn't think a series of these would pack the same punch as a single one (maybe different paintings like this in different locations, but not all together in the same room).
I think my personality comes across strongly in different ways in these two paintings (which I guess is why "Dumbass" unintentionally looks like a self-portrait). I hope these go over well out there.

Thursday, September 23, 2010

Cochlear WIP

Alright, I know, I haven't posted the picture that'll lead up to this one yet but don't worry about it. I'm working on a series for Advanced Painting that'll combine advertisment styles (mainly art nouveau) with mechanically enhanced body parts, real or imaginary. This one falls under real.
It's still a work-in-progress obviously but I'm pretty proud of it so far. For the canvas, I stretched and gessoed over an 18" embroidery hoop. I did the underdrawing in non-photo blue (love it!) cochlear implant with cosmetic body modifications (piercings, gauges, tattoos). I always admired how a lot of the kids I grew up with took pride in their hearing aids and got really cool ones with glitter and neon colors.

In other news, I have another princess drawing in the works, a collab zine project with some other Burlingtonians, I might be working on a Halloween comic for an art swap, and I haven't forgot about the drawing for the contest winner or the tattoo I'm doing for Sheila. ^.^;;
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